IN CONVERSATION WITH SAID MRIGUA
On film photography, DIY tools, and slowing down the creative process
On film photography, DIY tools, and slowing down the creative process
In an era of instant images and digital production, some photographers choose a different path, one that values time, process, and experimentation.
Moroccan photographer Said Mrigua is one of them.
Working between film photography and self-built tools, his practice goes beyond capturing images. It becomes a process of making, testing, and understanding photography from the inside out.
A preference for process over speed
While comfortable working with both digital and film photography, Said finds himself drawn to analog.
“I like working with both, but I really enjoy the process while working with analog. You have to shoot, develop, scan… the process makes you slow down and not rush your work.”
In a context where speed often defines creative production, film offers a different rhythm ; one that encourages attention, patience, and intention
Video : Said Mrigua
Building what doesn’t exist
Said’s approach to photography extends beyond the image itself. Faced with limited access to certain types of old cameras in Morocco and high costs abroad, he began building his own.
“What inspired me to build my first camera is that I couldn’t find it in Morocco, and abroad it was too expensive. I also wanted to relive how people used to take photos a long time ago.”
Without digital previews, the process becomes experimental:
“To know the right exposure, I take the picture, develop it, and see if it needs adjustment. Then I do it again, hoping I get the right one.”
This method reflects a deeper engagement with photography ; one rooted in trial, error, and persistence
A self-built ecosystem of tools
Over time, Said has developed a range of tools to support his work.
He has built two cameras, including a more advanced version, as well as equipment to assist his shoots ; from sliders and motors to systems for processing film.
More recently, his experimentation has expanded into digital tools:
“With AI, I was able to push my DIY further. I started learning how to build apps, like creating a timer for the darkroom. It helped a lot.”
His approach is simple: when faced with a limitation, he builds a solution.
“Now whenever I have a challenge, I try to find a solution through DIY or app development.”
Video : Said Mrigua
Making images, not just taking them
For Said, building tools changes the relationship to photography itself.
“Through this process, I like to make the picture more than just take it.”
The act of building the tools becomes very important along with the act of creating the image.
Experimentation as a creative mindset
At the core of his practice is a continuous desire to experiment.
“I’m learning consistently, and I love to experiment and use my hands.”
His current ambition reflects this mindset:
“My goal is to build a camera that will give me a 1-meter image. I already tried using my room door and got a 90x60cm picture, so it’s possible.”
Photo : Said Mrigua
Extending the practice
Beyond his own work, Said is also looking to support other creatives.
He plans to soon offer film development and scanning services for black-and-white photography, contributing to a growing analog community.
Said Mrigua’s practice reminds us that photography is not only about the final image, but about the process behind it.
In slowing down, experimenting, and building his own tools, he redefines what it means to create; turning photography into a space of exploration, patience, and invention.